![]() The mastermind behind all of this planned on making them into a globally successful band, The Crescendolls. The cut to Shep’s crashed spaceship at the end of “Digital Love” sets up his rescue mission story arc, leading into “Harder, Better, Faster, Stronger.” During this song, the band members are stripped of their clothes and color and turned into people with completely new identities. They capture all four members, and one final bell sounds, as the hero of the story, Shep, is alerted of the band’s kidnapping, leading into “Digital Love.”ĭaft Punk and their supervising director, legendary manga and anime creator Leiji Matsumoto, pay special attention to the intros, outros, and transitions of and between songs, and many of the videos end in cliffhangers. The concert in front of thousands of aliens doesn’t last long, as the dance song comes to a halt when eight bells sound - and give way to an electronic rock guitar, marking the transition to track two, “Aerodynamic.” The accompanying visuals are just as gripping, as men in armor and masks chase after the band. The camera pans down to the horizon of a planet before a blue face sings, “One more time!” The source of this music is soon revealed - a stadium that resembles a UFO, containing the band and four main characters: a drummer named Baryl, a guitarist named Apregius, the bassist, Stella, and the keyboard player/lead singer Octave. The film begins with visuals of an otherworldly universe as the music slowly picks up in the background. As a result, the film becomes a masterclass in storytelling, as it manages to convey an allegory for the exploitation of artists in the music industry without dialogue. “Interstella 5555“ is a colorful amalgamation of different art mediums that manages to highlight the strengths of both the musical and visual artists. The film is a refreshing reminder of what can happen when artists have the freedom to take risks and collaborate. Using 14 music videos from their album “Discovery“ (2001), the project comes together to create a masterpiece of a film. “As well as their parents.Daft Punk’s “Interstella 5555: The 5tory of the 5ecret 5tar 5ystem“ (2003) is an ode to the visual album. “We hope all the kids will love the video,” a disembodied voice says near the end of the promo clip. And as implausible as it may have seemed for two French men in robot helmets, Discovery got them there. Most of all, though, Daft Punk wanted to be universal. Pepper’s Lonely Hearts Club Band or The Beach Boys circa Pet Sounds and Smile: music that took pop seriously as art, but also recontextualised older, seemingly uncool styles in ways that felt progressive and fresh. But you can also trace it back to The Beatles circa Sgt. You can easily trace Discovery forward to EDM and the continuing entwinement of techno and rock. “Electronic music”-a term that always suggested the future, however vague-was demonstrated to be as familiar and comforting as classic rock, and no less real in its depth of feeling. ![]() And the rest-the faux-metal guitars of “Aerodynamic”, the sci-fi daydream of “Veridis Quo”, the UK garage showcase of Todd Edwards on “Face to Face”-glimpsed down dozens of stylistic alleyways without disrupting the album’s course. The album’s biggest singles-“One More Time”, “Harder Better Faster Stronger”, “Digital Love”-were as useful to wedding DJs as they were to pop philosophers. Dancing on the subway in a city where they didn’t speak the language, liberated from judgement and self-criticism: It’s all there in the title. And yet, when asked about Discovery’s turn toward ’70s and ’80s pop, Thomas Bangalter said the goal wasn’t to evoke a specific sound or era, but the raw wonder they’d felt encountering that music as children. At the time, Daft Punk were big enough business to dismiss goofing off-their first album, 1997’s Homework, had already sold two million copies. Some riders smile and stare, while others look politely away. ![]() ![]() There’s a video that Daft Punk made to promote 2001’s Discovery in which the French duo, wearing their famous robot helmets, dance on the Tokyo subway.
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